Sept 20: Sleeper

"A nerdish store owner is revived out of cryostasis into a future world to fight an oppressive government."

Directed by: Woody Allen, Rated: PG, 89 minutes

I have a confession to make. I haven't really seen any of Woody Allen's earlier stuff (yes, even Annie Hall). I always make a note of it to remedy the fact, but for some reason or another I just haven't been able to sit down and watch any of his 'classics'. His newer films, however, I am a huge fan of with Midnight in Paris being one of my favorite movies of last year and Match Point and Vicky, Christina, Barcelona being two great films as well. So, with a little request (that I'm incredibly late on delivering), I sat down and watched Allen's 1973 movie, Sleeper. And I have to say, I enjoyed the living daylight out of it. 

Who would have ever thought that Woody Allen would make a sci-fi comedy?

The movie follows Miles Monroe (Allen), a health food store owner and clarinet player who wakes up 300 years in the future. After an ulcer operation goes wrong, Monroe was put into a cryostasis and eventually shipped away, never to be discovered until now. In the future, the world has completely changed, with government oppression (a la Big Brother), over-sized produce and chickens for food supplies, and man's inability to maintain an erection (thus, the introduction of the Orgasmatron). Revived by a group of scientists working for 'the resistance underground', Monroe is thrown head first into a battle to overthrow the government. Yes folks, a nerdy, scrawny, neurotic Woody Allen is the country's only hope. And boy does it play out wonderfully. While on his journey to "rebel", Monroe runs into the beautiful Luna (Diane Keaton), and the love that blooms between the two is not just awkward, but hilarious to watch. Allen and Keaton work beautifully off of each other and turn their relationship into something that could easily be dismissed, as something pure and true. 

Woody Allen: The Sex-Crazed Robot... 30 years before Futurama.

In my little research I did of Allen, I found that Sleeper is actually one of his most obvious attempts at slapstick comedy, channeling his inner Charlie Chaplin and Buster Keaton. While most of Allen's comedies rely on the dialogue, Sleeper focuses on chase sequences and physical comedy, something that Allen is actually incredible at. Large portions of the film are just set to music, with the slightly sped up actions of Allen being the highlight of each scene. It's in these moments you can easily see Allen's genius. I am pleasantly surprised at the talent he has when he's not mumbling all nervous-like and would have loved to see more of this version of the man. There are moments where I literally found myself laughing out loud (something I rarely ever do with movies) and genuinely loving every minute of the movie. While the plot just moves every forward, Sleeper really jumps from one-liner to physical joke constantly. It's a series of events strung together that is very reminiscent of Chaplin and turns Sleeper into one of the most fun movies I've ever seen. Of course, not everything in the film is slapstick and Allen's signature style of dialogue is on display as well. Every line uttered by Monroe brings a smile onto your face and Allen's delivery makes everything feel even more natural, as though you're really sitting in the room with him, and being the only one to laugh at his dry, witty, humor .

One of the best scenes in the film features Woody Allen on his quest for food and his discovery of an over-sized produce farm. Hilarity ensues. 

I would highly recommend this film if you haven't seen it already. It's one of Allen's more under-appreciated films (from what I've read), but his experiment into something much different really pays off. My only complaint of the film is that it's just too short (only 89 minutes) and seeing that hours upon hours of footage was filmed but never shown makes me wonder what else is out there. It's a movie that leaves you wanting so much more in nearly every aspect and also leaves you wondering if anything like it could ever be made today. I remember discussing in my review of Duck Soup that that the genre of slapstick seems dead, and while Sleeper showed hopes of a revival (40 years ago), I honestly don't see anything like this coming out today. It's a terrible shame as the humor is universal. Seeing a real-life cartoon play out is just so much fun to watch and the simplicity of the humor seems to be far from what the "general population" seeks today. F**k. 

The Good:

Woody Allen carrying a film with more than just his dialogue, delivering countless moments of physical comedy that leaves you in stitches

The Bad:

a short-ish running time that leaves a lot more to be desired, as what you see on the screen shows so much genius

The Ugly:

realizing slapstick is dead and any hope for a revival seems far from reality

Overall: 9.0/10

Trailer:

March 11: The Family Stone

"An uptight, conservative, businesswoman accompanies her boyfriend to his eccentric and outgoing family's annual Christmas celebration and finds that she's a fish out of water in their free-spirited way of life."

   My girlfriend was channel surfing and came across The Family Stone. "I like this movie", she says. "It's a pretty good movie", she says. "You might like this", she says.  Yeah, no. The Family Stone is sappy Christmas trash with a bunch of beautiful rich people, with, surprise, beautiful problems. Oh, and cancer. For some reason, the filmmakers decided that the best way to make a family holiday rom-com a little more emotional was to throw in a little side of cancer with a full course of cheese. And, of course, one of my favorite things to do in the middle of March is to watch holiday movies. 

Because nothing is more festive than getting drunk on St. Patrick's Day and watching A Christmas Story. 

  The best parts of The Family Stone are two lovely little ladies- Rachel McAdams (McYumYums) and Claire Danes. And, they look even hotter than usual, as their costars are Annie Hall and Sarah Jessica Horse Face. Besides the good looking women, a Woody Allen muse, and a unicorn sans horn, The Family Stone has a weak script and very unlikable characters. The horse herself is just a b**ch and I really have no idea how we're supposed to root for her in her search for love and acceptance. 

Face it, her love is bestiality. 

   Overall, The Family Stone delivers the smallest bit of chuckles and even then you don't like yourself for laughing. The script is awful and the characters undeserving of our attention. The acting is decent but even that doesn't save the film. Sure, the likability of Luke Wilson and Dermot Mulroney do add a little charm to the film but it's still nothing I would recommend running out to rent.  Maybe because I wasn't in the Christmas mindset to enjoy the film, but I highly doubt even if it was snowing and Jesus was swimming in gold, frankincense, and myrrh, I would thoroughly enjoy The Family Stone. 

The Good:

McYumYums and Danes

The Bad:

Sarah Jessica Horse Face

The Ugly:

another run-of-the-mill cheesy, sappy, over-the-top "romantic" comedy

Overall: 4.5/10

Best Quote:

N/A

Trailer: